Showing Records: 1 - 14 of 14
1: Kunstlerbucher, Schriften von Kunstlern / Bisson-Millet, Paule-Leon ; Higgins D ; Roth D ; MacLow J ; Mayer HJ ; Bory JF ; Gomringer E ; Williams E ; Ulrichs T ; Nannucci M ; Gette PA ; Chopin H ; Finlay IH., 1992
Item
Identifier: CC-23570-24015
Dates:
1992
Concrete/Visual Poetry / Leiber, Steven ; Finlay IH ; Furnival J ; Houedard DS ; Morgan E ; Ulrichs T ; Gerz J ; Jandl E ; Chopin H ; Blaine J ; Ruutsalo E ; Hirsal J ; Higgins D ; Bory JF ; Grogerova B ; Vicinelli P ; Toshihiko S., 1993
Item
Identifier: CC-07418-7562
Dates:
1993
Freewheel / Houedard, Dom Sylvester; Burri S; Cox K; Finlay IH; Furnival J; Houedard DS; Lord S; Mayer HJ; Phillips T; Stevenson A., 1967
Item
Identifier: CC-09693-9886
Scope and Contents
Prices of works exhibited are mentioned. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1967
No.1A / Lure ; Blaine J ; Broodthaers M ; Chopin H ; Finlay IH ; Watts R ; Klophaus A ; Satie A ; Long R ; Paik NJ ; Adler J ; Simmons L ; Beuys J ; Nieblich W ; Carrion U ; Gerz J ; Kaprow A ; Citoen P., 1991
Item
Identifier: CC-07223-7365
Dates:
1991
No.11A: Many Relished Sorrows / Lure ; Beuys J ; Blaine J ; Broodthaers M ; Debord G ; Filliou R ; Finlay IH ; Mayer HJ ; Iannone D ; Isou I ; Knizak M ; Lemaitre M ; Ben ; Lora-Totino A., 1992
Item
Identifier: CC-07381-7525
Dates:
1992
Prints 1963 - 1997 Druckgrafik / Finlay, Ian Hamilton., 1997
Item
Identifier: CC-30171-31572
Scope and Contents
This catalogue that illustrates Finlay's prints in chronological order, was compiled by Pia Simig. An in-depth essay by Rosemarie E. Pahlke, "Homesickness for Greek Temples," traces Finlay's themes, poetry, philosophy and describes his garden Stonypath. "The significance of his oeuvre and the widespread admiration it has earned derive primarily from its complexity...He offers us his own unique view of the present and his perception of everyday life, displayed on a background of literary, philosophical and historical connotations. In the process, he arrives at formulations and visual realisations that either spontaneously overwhelm us with their astounding simplicity or challenge us - even those who feel confident of having achieved a modicum of erudition - to find answers to the questions they pose. ..Finlay's works derive their vitality from his excellent powers of observation, a delicate irony, a sense of humour one might refer to as 'British,' a feeling for poetic images (but a...
Dates:
1997
Sei Lirici della Poesia Visuale Internazionale / Arias-Misson A ; Carrega U ; Claus CF ; Finlay IH ; Phillips T ; Takahashi S., 1990
Item
Identifier: CC-39500-41457
Scope and Contents
Exhibition was curated by Gillo Dorfles and Alain Arias-Misson. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1990
Sei Lirici della Poesia Visuale Internazionale / Gillo Dorfles, curator ; Alain Arias-Misson ; Arias-Misson A ; Carrega U ; Claus CF ; Finlay IH ; Phillips T ; Takahashi S., 1990
Item
Identifier: CC-02205-2245
Scope and Contents
Exhibition was curated by Gillo Dorfles and Alain Arias-Misson. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1990
Spring / Coach House Press ; Nichol bp ; Riddell J ; McCaffery S ; Finlay IH ; Cobbing B ; Nations O ; Wah F ; O'Huigin S ; Joans T ; Vaughn-James M ; Brossard N., 1978
Item
Identifier: CC-17160-17518
Dates:
1978
This is Visual Poetry. No.30/Apr / nick-e melville ; Finlay IH., 2010
Item
Identifier: CC-51970-73072
Scope and Contents
On the back cover and internet, it is stated that nick-e melville is a scottish poet who does visual stuff and found stuff. his first collection of visual poetry, selections and dissections, was published by otoliths press in 2010. he also does shellsuit massacre (cf. poem 7) with rodney relax: found poetry social commentary to guitar techno. some of these poems, all now in colour, appeared in these places: blazevox, one less magazine, otoliths and sleeping fish; the 10th poem appears on the poet's left forearm, underside. nick-e says: "these are basically all the pieces i've done in colour, and, curiously, there's a higher usage of mixixed media than in my other visual work, including handwriting (poem 12) and skin. some were made using tippex (whiteout) on papers and credit card junk mail (snow pake is an archaic term, from the 70s and 80s). others were created using circles from bags of blue circle cement. i'd always admired the targetesque design, and the blue-on-buff bags, so...
Dates:
2010
Twenty Years of British Art from the Sackner Archive of Concrete and Visual Poetry / Michael Prebble, curator ; Phillips T ; Adler J ; Christie J ; Cobbing B ; Finlay IH ; Furnival J ; Furnival A ; Houedard DS ; King R ; Lewty S ; Langlands B ; Bell N., 1988
Item
Identifier: CC-01102-1131
Scope and Contents
Cover depicts "Artchive" painting by Tom Phillips, which is held by Sackner Archive. Introdutory essay by Clive Phillpot. Exhibition curated by Michael Prebble. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1988